News

 

In the Search of Lost Paradise

 

Art in the Landscape

Marked in Stone and Sand

An Iranian sculptor brings his art to the river, beaches—and parks.

By Robert C. Morgan

 

Nadalian @ Dialogues in Diversity  

 

Nadalian is an Iranian sculptor whose life's work involves engendering respect for living creatures and the natural environment. To achieve this, besides living with nature himself, he established sculpture grounds in a peaceful environment in natural surroundings. Water is a living element that contributes to his sculptures, and many of the symbols he engraves and sculpts are derived from ancient mythology and the rituals of pre-Islamic civilizations.

By John K. Grande

 

By : Edward Lucie-Smith
 

In Iran, Ahmad Nadalian (b.1963) is in the process of creating an immense River Art installation along the banks and amidst the waters of the Haraz River, near Mount Damavend More



Art Tomorrow

"works by Nadalian  being the most advanced of its kind, especially the way in which you use the internet". Edward Lucie-Smith 14 Nov 2002   lecture at the British Museum.

 

 

 

Utne Magazine May-June 2006  USA

Ahmad Nadalian
[Iran]

A human who loves stones and water, Ahmad Nadalian moves like a fish transgressing international borders. Nadalian  has traveled widely, leaving graphic messages on all continents but Antarctica in the form of etched stones ...
 More

 

UNDER THE DOME OF TIME:
Two Iranian Sculptors

By Professor  Robert C. Morgan
 

The concept of permanence in sculpture is almost a subliminal aspect of Persian culture.  It is a culture that virtually defines meaning in art according to how long the work will last.  Then again, for artists like Behrooz Daresh and Ahmad Nadalian, the idea of permanence as a criterion in art is clearly beginning to change.  They are interested in a more conceptual approach, and, to some extent, a more implicitly political approach.   More

Sculpture Magazine (Vol. 27, No. 2) March 2008

 

Nadalian: River Art

An interview by John K. GRANDE

Nadalian is an Iranian sculptor whose life's work involves engendering respect for living creatures and the natural environment. To achieve this, besides living with nature himself, he established sculpture grounds in a peaceful environment in natural surroundings. Water is a living element that contributes to his sculptures, and many of the symbols he engraves and sculpts are derived from ancient mythology and the rituals of pre-Islamic civilizations. more

 

Nadalian in Green Museum

By carving simple fish shapes and other forms onto small stones and river rocks, artist Ahmad Nadalian seeks to repopulate the spirit of neglected streams and rivers in his native Iran and around the world and share these treasures with future generations ... Over the past decade the artist has frequently traveled to cities and remote regions and locations in every continent to work with children and local residents to create countless treasures ...  more

 

 

Work by Ahmad Nadalian @ Environmental Art Calender 2009 in USA

 

 

 

Works by Nadalian in USA

 

Hidden Treasures

Works in Other Countries

 

Works by Nadalian in Bangladesh

 

Works by Nadalian in Uzbekistan

 

Collaboration with Children

 

Works in Paris

 

Works In Arangeh

 

L'Eau Partagee: Work in South of France )

 

Hidden Treasures: An Art Exhibition for next Millenniums  Persian

 

L'Eau Partagee: Work in South of France )

Artists at Paradise International Center

 

Travel to France : Exhibition & Works by Nadalian in Ramatuelle- Golfe de Saint Tropez in France  (From Escalet to Pampelonne)

 

 

Bicycle Art & Recycle Art

 

Environmental Art Festivals

 

Work by Ahmad Nadalian @ Environmental Art Calender 2009 in USA

 

Call for International  Festival of Environmental Art in Iran- Persian Gulf

 

Paintings by Coloured Earth

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The Fall of Paradise: 19th Environmental Art Festival in Iran - Isfahan :  (October 2008)  

 

Journey across South Africa: The Sprit of Rocks and Water

 

Black & White People

 

Sand Print in Africa

 

Freed Fish

 

Art in the Landscape

Marked in Stone and Sand

An Iranian sculptor brings his art to the river, beaches—and parks.

By Robert C. Morgan

 

Nadalian @ Dialogues in Diversity  

 

Nadalian is an Iranian sculptor whose life's work involves engendering respect for living creatures and the natural environment. To achieve this, besides living with nature himself, he established sculpture grounds in a peaceful environment in natural surroundings. Water is a living element that contributes to his sculptures, and many of the symbols he engraves and sculpts are derived from ancient mythology and the rituals of pre-Islamic civilizations.

By John K. Grande

 

By : Edward Lucie-Smith
 

In Iran, Ahmad Nadalian (b.1963) is in the process of creating an immense River Art installation along the banks and amidst the waters of the Haraz River, near Mount Damavend More



Art Tomorrow

"works by Nadalian  being the most advanced of its kind, especially the way in which you use the internet". Edward Lucie-Smith 14 Nov 2002   lecture at the British Museum.

 

 

 

Utne Magazine May-June 2006  USA

Ahmad Nadalian
[Iran]

A human who loves stones and water, Ahmad Nadalian moves like a fish transgressing international borders. Nadalian  has traveled widely, leaving graphic messages on all continents but Antarctica in the form of etched stones ...
 More

 

UNDER THE DOME OF TIME:
Two Iranian Sculptors

By Professor  Robert C. Morgan
 

The concept of permanence in sculpture is almost a subliminal aspect of Persian culture.  It is a culture that virtually defines meaning in art according to how long the work will last.  Then again, for artists like Behrooz Daresh and Ahmad Nadalian, the idea of permanence as a criterion in art is clearly beginning to change.  They are interested in a more conceptual approach, and, to some extent, a more implicitly political approach.   More

Sculpture Magazine (Vol. 27, No. 2) March 2008

 

Nadalian: River Art

An interview by John K. GRANDE

Nadalian is an Iranian sculptor whose life's work involves engendering respect for living creatures and the natural environment. To achieve this, besides living with nature himself, he established sculpture grounds in a peaceful environment in natural surroundings. Water is a living element that contributes to his sculptures, and many of the symbols he engraves and sculpts are derived from ancient mythology and the rituals of pre-Islamic civilizations. more

 

Nadalian in Green Museum

By carving simple fish shapes and other forms onto small stones and river rocks, artist Ahmad Nadalian seeks to repopulate the spirit of neglected streams and rivers in his native Iran and around the world and share these treasures with future generations ... Over the past decade the artist has frequently traveled to cities and remote regions and locations in every continent to work with children and local residents to create countless treasures ...  more

 

Sand Prints

 

Works in China

 

New works by Nadalian in “Verdearte” 2006:  Italy

 

Works in USA

 

A Journey to Serbia

 

Mythological Treasures or Contemporary Art

 

Works in Tajikistan

 

Works in Iran

 

Works in UK

 

Works  in France

 

Works  in Spain

 

 The fundamental concern of this artist is the search for harmony with nature, with ourselves, and the universe which surrounds us (Eva Shakouri Torreadrado).

 

Sand Prints

 

Works In Germany

 

Works  in Turkey


 

Works in Paris

 

Click Here to Download larger size Images

 




Nests

 

Hidden Treasures: An Art Exhibition for next Millenniums  Persian

 

In the Search of Lost Paradise

 

Art in the Landscape

Marked in Stone and Sand

An Iranian sculptor brings his art to the river, beaches—and parks.

By Robert C. Morgan

 

Nadalian @ Dialogues in Diversity  

 

Nadalian is an Iranian sculptor whose life's work involves engendering respect for living creatures and the natural environment. To achieve this, besides living with nature himself, he established sculpture grounds in a peaceful environment in natural surroundings. Water is a living element that contributes to his sculptures, and many of the symbols he engraves and sculpts are derived from ancient mythology and the rituals of pre-Islamic civilizations.

By John K. Grande

 

By : Edward Lucie-Smith
 

In Iran, Ahmad Nadalian (b.1963) is in the process of creating an immense River Art installation along the banks and amidst the waters of the Haraz River, near Mount Damavend More



Art Tomorrow

"works by Nadalian  being the most advanced of its kind, especially the way in which you use the internet". Edward Lucie-Smith 14 Nov 2002   lecture at the British Museum.

 

 

 

Utne Magazine May-June 2006  USA

Ahmad Nadalian
[Iran]

A human who loves stones and water, Ahmad Nadalian moves like a fish transgressing international borders. Nadalian  has traveled widely, leaving graphic messages on all continents but Antarctica in the form of etched stones ...
 More

 

UNDER THE DOME OF TIME:
Two Iranian Sculptors

By Professor  Robert C. Morgan
 

The concept of permanence in sculpture is almost a subliminal aspect of Persian culture.  It is a culture that virtually defines meaning in art according to how long the work will last.  Then again, for artists like Behrooz Daresh and Ahmad Nadalian, the idea of permanence as a criterion in art is clearly beginning to change.  They are interested in a more conceptual approach, and, to some extent, a more implicitly political approach.   More

Sculpture Magazine (Vol. 27, No. 2) March 2008

 

 

In the Search of Lost Paradise

 

Art in the Landscape

Marked in Stone and Sand

An Iranian sculptor brings his art to the river, beaches—and parks.

By Robert C. Morgan

 

Nadalian @ Dialogues in Diversity  

 

Nadalian is an Iranian sculptor whose life's work involves engendering respect for living creatures and the natural environment. To achieve this, besides living with nature himself, he established sculpture grounds in a peaceful environment in natural surroundings. Water is a living element that contributes to his sculptures, and many of the symbols he engraves and sculpts are derived from ancient mythology and the rituals of pre-Islamic civilizations.

By John K. Grande

 

By : Edward Lucie-Smith
 

In Iran, Ahmad Nadalian (b.1963) is in the process of creating an immense River Art installation along the banks and amidst the waters of the Haraz River, near Mount Damavend More



Art Tomorrow

"works by Nadalian  being the most advanced of its kind, especially the way in which you use the internet". Edward Lucie-Smith 14 Nov 2002   lecture at the British Museum.

 

 

 

Utne Magazine May-June 2006  USA

Ahmad Nadalian
[Iran]

A human who loves stones and water, Ahmad Nadalian moves like a fish transgressing international borders. Nadalian  has traveled widely, leaving graphic messages on all continents but Antarctica in the form of etched stones ...
 More

 

UNDER THE DOME OF TIME:
Two Iranian Sculptors

By Professor  Robert C. Morgan
 

The concept of permanence in sculpture is almost a subliminal aspect of Persian culture.  It is a culture that virtually defines meaning in art according to how long the work will last.  Then again, for artists like Behrooz Daresh and Ahmad Nadalian, the idea of permanence as a criterion in art is clearly beginning to change.  They are interested in a more conceptual approach, and, to some extent, a more implicitly political approach.   More

Sculpture Magazine (Vol. 27, No. 2) March 2008

 

 

Tess Corino 2003

The fish in Ahmad Nadalian’s childhood river have been killed by pollution. He carves their images on rocks and puts them back, along with crabs, snakes, goddesses. He doesn’t disclose their location. His art consists in a nourishing of the river, but he records his work and it is available online.

 


Artist/Naturalist
Ahmad Nadalian

by : John Caddy

http://www.morning-earth.org/ARTISTNATURALISTS/AN_Nadalian.html

John Caddy is a poet, a teacher, and a lifelong student of nature. John's heart is hidden under a pine tree in Minnesota's North Woods, where it steadily beats. John has taught poetry in schools for thirty-five years. He teaches at Hamline University's Center for Global Environmental Education in St. Paul, Minnesota, where he directed the Self Expressing Earth program. John began and directs the Morning Earth program.

 

 

John's heritage is Cornish, and in 2001 he was made a Bard of the Cornish Gorseth in Cornwall, Britain.  

John's poetry has won the Bush Artist's fellowship, MN State Arts Board fellowships, the Loft/McKnight award and Milkweed Editions' Lakes and Prairies award. John's teaching has been honored by the Sally Ordway Irving award for Arts Education.

The Color of Mesabi Bones won the Los Angeles Times Book Prize and the Minnesota Book Award. John's favorite award, though, is below, given to him by Jesse Richards, a second grade poet.  More

http://www.morning-earth.org/ARTISTNATURALISTS/AN_Caddy.html

 

I am an aging poet whose spirit is more lively all the time. I live near Forest Lake, Minnesota on ten acres of woods, marsh and ponds, with my wife Lin, and four excellent cats. I have published several books, mostly poetry, but also about arts education. I have reviewed childrens’ books for Riverbank Review. I've performed my poetry onstage with jazz musicians and dancers.

http://www.morning-earth.org/John_Caddy.html

 

 

Iranian artist Ahmad Nadalian is a worldwide emissary of Mother Earth. For many years he has performed his carvings of fish and goddesses in such diverse countries as France, Germany, Italy, the US, Kazakstan, Uzbekistan, Russia, and his storied Persian homeland. Nadalian is deeply connected to water--streams and tides--and uses them to enact rituals of rebirth. The streams of his childhood homeplace have been destroyed. In a kind of compensatory healing, the artist carves water beings on rocks within streams and on their banks. On stones rolled smooth by water he incices fish, then cermonially frees them by returning them to water. This is a kind of installation art for future generations. Similarly, he buries other carvings on land in many hidden locations.

A recurring subject of Nadalian's art is Anahita, ancient goddess of the waters and fertility.He has carved her image into many rocks in places united by flowing waters that surround her image.

He has painted her on sands using pigments from overlooking cliffs.

Nadalian is an Earth advocate, a true eco-artist. For several years he has hosted Environmental Art Festivals on the island of Hormuz in the Persian Gulf and at his home place.

 

 

 

Nadalian's range and versatility are only suggested by the galleries below.
 

 

Nadalian's Carved Stones
 

 

A suggestive trio of snake, apple, fish

 

Anahita graces a river stone in Italy.

 

Mithras in womb, New Mexico, US

 

 

Hands and pool, Tadjikistan

 

 

feet in river in France

 

feet and bowl in Mallorca

 

fish on rock in river, Iran

 

 

Anahita, Goddess of Fertility

 

 

Serpent in Garden in Darabad, Tehran, Iran

 

 

Dove in Darabad, Tehran, Iran

 

Goddess or Eve in Darabad, Tehran, Iran

 

 

red people, buried in Kansas City, US

 

 

pierced stone carving

 

 

crab carving Germany

 

 

In his travels, Nadalian collaborates with children, witness this proud fern set free

 

 

 

 

Nadalian's Fish Ritually Set Free
 

Nadalian ritually carves fish and other water beings on water-smoothed stones, then sets them free in water for future generations to find or not find. This ritual suggests a kind of atonement the artist performs for humanity, in hope.The photos of the moment of return are the very essence of ephemeral art. The ancient and the high tech happily coincide.

Nadalian performs the ritual of new life

 

sandstone fish set free in new life

 

limestone fish set free in new life

 

 

fish set free into new life

 

red fish set free

 

 

frog set free amid fall leaves

 

Fish set free through ice, Russia

 

 

 

This map shows the locations of Nadalian's Works around the globe. The blue points show the place where he has carved on rocks and the orange points show where his carvings have been buried, often by travelers who carried and buried his carvings.

 

 

Nadalian's Ephemeral Prints in Sand
 

Nadalian brilliantly re-invents the cylinder seal of the ancient Near East, once used to print scenes,often of religious significance, on moist clay. Nadalian honors the living spirits of mouse and hedgehog, fish and serpent and crab, scorpion and desert tree, by sealing their images into sand that will soon blur into desert winds or vanish into tide-wash, as must all life.

 

 

 

 

A fine evocation of spiky desert foliage

 

The undulating curve captures the leap of mouse

 

 

fish about to be swallowed by tide

 

 

An intensity of hedgehogs in the desert

 

 

Sand Serpents explore the Maranjab sands

 

 

crab seal being rolled along an ocean beach

 

desert foliage cylinder seal in situ

 

fish seal being printed in beach sand

 

 

artist at work on the ocean beach

 

artist printing on the Maranjab desert sands

 

Dream of Peace, No War bicycle tires carved as cylinder seals with a web address

 

 

 

Nadalian's Sand Paintings with Earth Pigments
 

 

Archetypal Story 1

 

 

 

Archetypal Story 2

 

 

Archetypal Story 3

 

The painter has painted himself with Earth
at one of his environmental art workshops
 

 

Earth mineral pigments in decomposed rock near Hormuz

 

 

In HIs Own Words
 

 

I consider my strongest influences to be on the one hand the nomad lifestyle of my ancestors, their life close to nature, and on the other the bas-reliefs dating back to the earliest Iranian civilizations.  Buried deep in the heart of the Iranian hillsides, these carvings use nature as a setting for art.  My aim is not to reconstruct a representation of kingly glories and triumphs as depicted in the hillside carvings; I wish to return to the nature I call my own, to be a part of it.  My life surrounded by nature, and the harmony I have found there have led to the formation of a language in which both the material and the content are derived from nature.

 

 

The village of Poloor is my ancient homeland, the summer camp of my ancestors.  I lived in the city during my years as a student, and I spent seven years out of the country.  I returned to Iran after finishing my studies.  I was trying to escape an environment that was polluted in every way: environmentally, politically, and morally.  I wanted to return to good health, to a paradise.  In this polluted world, untouched nature can be a paradise. 
But it turned out that the paradise of my childhood was, and still is, rapidly disappearing. 
 

There were no more rushing rivers.  The dwindling streams were full of plastic bags and trash, which had replaced the fish.  No one prayed for rain anymore.  The sky had turned away from us.  People no longer believed in the divinity of water, of the elements.  I wanted to visualize that lost paradise for myself.  The fish that I carve are alive for me.  But technology doesn’t even allow imaginary fish a space to live.  The story continues.  I carve fish, and then the bulldozers move in to make way for new villas and highways, and my fish die.  We now have a cemetery with fish carved on all the headstones.  But I haven’t lost hope.  I believe in standing strong until the end.

Without the motion and sound of the rushing water, my work has little meaning.  The river has been transformed into art. The rising of the water level in spring and the lowered level in autumn gain significance from the life-affirming rituals that are part of the philosophy of ancient Iranian mysticism.

I didn’t choose to work with nature; it chose me, it mesmerized me and taught me how to re-present what seemed irretriev-ably lost.  The choices may have been instinctual; maybe I was seeking my lost paradise, the paradise of my childhood memories, a longing for the ways of my ancestors.  But my allegiance is not restricted to the past.  I don’t wish to defy present realities, I don’t deny the beauty of the present. I have a very positive relationship with new technology, especially informational technologies, and I feel that new media complements and completes my work.  My voice may have gone unheard without new media. I would like to preserve and retain the beauty of the past for the present and the future.

I think about the future.  I have deliberately buried many of my carvings in their natural settings.  These burials are secrets I share with the earth, an exhibition for later generations.  These pieces highlight the value of the earth, the cradle of humanity and its civilizations.

It’s no longer a question of whether we live in a small village or the global village.  We live in the age of new technologies and capabilities. These resources have created new difficulties and crises.  History has never before witnessed such destruction brought upon nature.  Environmental crises and the need to resurrect a pure environment call for a new art form.  Environmental art can play an important role.  Art is capable of illustrating the crisis, critiquing its conditions, and describing a utopian world.

In the past, rituals and beliefs stipulated that elements such as water and earth remain pure; to pollute them was a sin.  Today the descendants of those ancient societies have neither retained their divine beliefs nor gained the necessary know-ledge to combat the ecological crisis.

Polluted environments are the result of polluted emotions, thoughts and attitudes; a pure world belongs to a pure being.  The pollution of nature comes from the pollution of the human soul.  We may be wrong in thinking we can work to save the environment; we have to realize that we too are part of the environment. All we need to learn is to stop polluting it any further.  This awareness will help us humans more than anything else.

 

On His Repeated Images:

The female form I use is the goddess of water and fertility.  I have a specific interest in ancient Iranian mythology, in which Anahita was worshipped as the goddess of water and fertility; She purified the waters and the milk of nursing mothers.

Many of my carvings show the female figure combined with a fish or moon symbol.  Female figures were water goddesses and fertility symbols in ancient cultures, and the fish and moon also represented rain and fertility.  In an age of increasing water pollution, the water goddess is a conscious reference to that concept of holiness.

I see the fish as a metaphor for a human being, and the river, the sea or the ocean are the world that surrounds us.  We need a clean environment to stay alive.  Perhaps one reason for selecting these symbols is my need to deliberately return to nature.  When a human being lives surrounded by nature, natural symbols will appear in his or her work. 

The handprint is one of the earliest forms testifying to the presence of humans in prehistoric times and primitive societies.  We can use our hands to create beauty in harmony with nature, or to leave the mark of ugliness upon our surroundings. The handprint, combined with a simple image of an eye, describes a sort of prayer, a holy communion. 

 

Ahmad Nadalian and Andy Goldsworthy